Nanna, featuring Nani, Mrunal Thakur, and Baby Kiara Khanna, is a recent addition to the film scene, and it has its highs and lows. Directed by debutant Shouryuv, the film takes its time to unfold but eventually hits the right emotional chords.
The narrative revolves around Viraj (Nani), a single parent to the charming Mahii (Baby Kiara Khanna). The plot thickens as Mahii’s innocent persistence about her mother prompts Viraj to make a promise. The film takes a turn when Yashna (Mrunal Thakur) enters their lives, leading to a series of events that transform their destinies.
The Good:
Hi Nanna boasts a compelling storyline, rich in emotional depth. Mrunal Thakur shines in her role, providing the movie with its heart and soul. Her performance stands out, continuing the trend from her previous work in Sita Ramam. Debutant director Shouryuv handles emotional nuances adeptly, and a few well-executed twists add value to the overall experience.
Nani effortlessly slips into the character of Viraj, portraying the emotional journey of a single parent convincingly. His chemistry with Mrunal Thakur is a highlight, especially in touching scenes like the one where he converses with the heroine’s mother.
Baby Kiara Khanna adds to the film’s charm with her adorable portrayal of Mahii. The closing moments of the movie leave a lasting impression, accompanied by a commendable musical score by Hesham Abdul Wahab.
The Not-So-Good:
While Hi Nanna has its strengths, the initial portions of the love story feel somewhat lackluster and routine. Despite a collection of good songs, the writing could have been more engaging. The film gains momentum post the pre-interval sequence, but the pacing is a hurdle in its overall impact.
The movie may resonate well with A center audiences, but it might not strike a chord with the masses. A song featuring Shruti Haasan in the second half seems out of place, affecting the overall coherence of the narrative. Additionally, a key scene following this song fails to deliver the expected impact due to execution issues.
Technical Aspects:
Hesham Abdul Wahab’s musical contributions are exceptional, except for the Odiyamma song, which feels unnecessary. Sanu John Varghese’s visuals and the production values are commendable, contributing to the film’s aesthetic appeal. The editing, however, falls short of being exceptional.
Director Shouryuv makes a promising debut with an interesting storyline and well-crafted dialogues. While the film has some emotionally resonant moments, the pacing could have been more dynamic, and a shorter runtime might have enhanced the overall impact.
Verdict:
In conclusion, Hi Nanna is a respectable family drama with poignant emotional moments. The lead cast delivers commendable performances, and the film’s strengths lie in its storyline and music. However, pacing issues may hinder its universal appeal. If you have a penchant for emotional dramas, Hi Nanna is a decent choice for a weekend watch.
Rating: 2.5/5 – Piktalk.com Team